Films seen: 1
Celebrity Sightings: Colin Firth, Catherine Keener, director Michael Winterbottom
Buzz in line: that Colin Firth sure is charming!; met a couple who had already seen 15+ movies...ah what it is to be retired/on vacation during TIFF
Thoughts: 5 movies in and another 10 to go, the bagged lunches and take-out are already proving tiresome; I just don't have many movies that are starting on time which is bad news when you h ave back-to-back screenings
Showing posts with label celebrity sightings. Show all posts
Showing posts with label celebrity sightings. Show all posts
Monday, September 8, 2008
Sunday, September 7, 2008
Day 3 Round-up
Films seen: 3
Celebrity Sightings: Adrien Brody, Sandra Oh, Don McKellar, Julianne Moore, mark Ruffalo, dnny Glover, Gael garcia Bernal, Dominic Monaghan, Evangeline Lily, and Fernando Meirelles. Also secondary cast memebers of Blindness, director of Blind Sunflowers Jose Luis Cuerda, and director of $5 a Day Nigel Cole. And Ben Mulroney. if you count him as a celebrity.
Buzz in Line: How unorganized can TIFF08 be? It just keepes getting worse;
Thoughts: I have now had 3 out of 4 movies begin more than five minutes late. One of which- a regular Scotiabank screening was almost 20 minutes late, meaning I only had enough time to watch 50 minutes of $5 a Day before runing to Blindness. Blindness was almost 40 minutes late, but that's to be expected for screenings at teh Elgin. there's no reason for a movie without long cast intorductions to be so late.
I'm so far behind in any movie reviews, but they'll come...
Celebrity Sightings: Adrien Brody, Sandra Oh, Don McKellar, Julianne Moore, mark Ruffalo, dnny Glover, Gael garcia Bernal, Dominic Monaghan, Evangeline Lily, and Fernando Meirelles. Also secondary cast memebers of Blindness, director of Blind Sunflowers Jose Luis Cuerda, and director of $5 a Day Nigel Cole. And Ben Mulroney. if you count him as a celebrity.
Buzz in Line: How unorganized can TIFF08 be? It just keepes getting worse;
Thoughts: I have now had 3 out of 4 movies begin more than five minutes late. One of which- a regular Scotiabank screening was almost 20 minutes late, meaning I only had enough time to watch 50 minutes of $5 a Day before runing to Blindness. Blindness was almost 40 minutes late, but that's to be expected for screenings at teh Elgin. there's no reason for a movie without long cast intorductions to be so late.
I'm so far behind in any movie reviews, but they'll come...
Saturday, September 15, 2007
Rail & Ties
“Rails & Ties” is the first feature for director Alison Eastwood, offspring of Clint. She’s been around for a while, albeit in front of the camera in some of Daddy’s films like “Midnight in the Garden of Good and Evil.” She’s chosen her material wisely in the form of “Rails & Ties”, a sad and intimate look at a not-so-typical family.
The film follows three people whose lives are disrupted after a tragic train accident. When train conductor Tom (Kevin Bacon) hits and kills a woman who has parked her car with herself and her 11 year old son David (Miles Heizer) inside it, he is forced into taking a break from the job that he loves to recouperate and spend time with his ailing wife Megan (Marcia Gay Harden). Stricken with progressive cancer, Megan and Tom are at odds with how to spend her remaining days, as Tom is content to imagine nothing is wrong and continue to plug along as a train conductor. When David shows up at the couple’s door, Megan has the chance to experience motherhood- something she has always craved. This unconventional family bonds together through tragedy and gives Megan- who lives by Dylan Thomas’ immortal words to “rage against the dying light” finds solace and happiness in her final hours with her new family.
Eastwood does an impressive job with the difficult subject matter and infuses it with subtlety and even humour. A compassionate film, there are similarities in Alison’s style to that of her father Clint’s in both the subject of the American family and the simple and unobtrusive shots.
Kevin Bacon gives a great performance of a difficult man, reminiscient of his work in “Murder in the First” in that he goes beyond expectations in his quiet rage and sorrow. Marcia Gay Harden is wonderful. her performance resonates throguh the film and projects the love and compassion her character feels for her two troubled men outwards. Her performance resonated with the cancer survivors in the room who applauded her performance as incredibly true to life during the TIFF Q&A session, bringing tears to more than a few eyes.
The standout in the film is young David, played by Miles Heizer, who for all his lighthearted charm and awe at being so well received in a large theatre on his first starring role, was incredibly gracious. He had difficult dramatic scenes which he tackled with the ease of a seasoned pro.
“Rails & Ties” is a moving film, that speaks to living with illness and experiencing death and how it resonates through families- whether they are blood relatives, or makeshift families of friends and non-relations. The film demonstrates the grieving process, and how like Megan, it is in our best itnerest to stya together and “rage against the dying light.”
The film follows three people whose lives are disrupted after a tragic train accident. When train conductor Tom (Kevin Bacon) hits and kills a woman who has parked her car with herself and her 11 year old son David (Miles Heizer) inside it, he is forced into taking a break from the job that he loves to recouperate and spend time with his ailing wife Megan (Marcia Gay Harden). Stricken with progressive cancer, Megan and Tom are at odds with how to spend her remaining days, as Tom is content to imagine nothing is wrong and continue to plug along as a train conductor. When David shows up at the couple’s door, Megan has the chance to experience motherhood- something she has always craved. This unconventional family bonds together through tragedy and gives Megan- who lives by Dylan Thomas’ immortal words to “rage against the dying light” finds solace and happiness in her final hours with her new family.
Eastwood does an impressive job with the difficult subject matter and infuses it with subtlety and even humour. A compassionate film, there are similarities in Alison’s style to that of her father Clint’s in both the subject of the American family and the simple and unobtrusive shots.
Kevin Bacon gives a great performance of a difficult man, reminiscient of his work in “Murder in the First” in that he goes beyond expectations in his quiet rage and sorrow. Marcia Gay Harden is wonderful. her performance resonates throguh the film and projects the love and compassion her character feels for her two troubled men outwards. Her performance resonated with the cancer survivors in the room who applauded her performance as incredibly true to life during the TIFF Q&A session, bringing tears to more than a few eyes.
The standout in the film is young David, played by Miles Heizer, who for all his lighthearted charm and awe at being so well received in a large theatre on his first starring role, was incredibly gracious. He had difficult dramatic scenes which he tackled with the ease of a seasoned pro.
“Rails & Ties” is a moving film, that speaks to living with illness and experiencing death and how it resonates through families- whether they are blood relatives, or makeshift families of friends and non-relations. The film demonstrates the grieving process, and how like Megan, it is in our best itnerest to stya together and “rage against the dying light.”
Thursday, September 13, 2007
Romulus, My Father
I had been looking forward to this film for some time as a fan of Australian cinema, Eric Bana and actor turned first-time director Richard Roxburgh and I must say I was not let down in the least.
A thoughtful and moving film, “Romulus, My Father” is a true story based on the memoir of Australian philosopher Raimond Gaita. Growing up in Australia as a Romanian immigrant, the young Raimond exists in a world inbetween childhood and adulthood, caring for his depressed mother, his father, his mother’s new husband and their daughter. Sounds complicated and unusual? It is, but it’s also profoundly moving.
Romulus (Eris Bana) is the patriarch of the family a man who is unable to integrate his world in Romania with his new life in Australia. Christie (Franka Potente) is Rai’s mother: disappointed with her life as an immigrant, vacant, and struggling to hold onto her sanity. The film unfolds exactly like a child’s memory would- it’s not always linear, with fragments and bits and pieces of information missing. It is told from a child’s perspective as he experiences birth, death, separation, trauma and everything else that comes with growing up in the Australian outback.
While Bana and Potente are haunted and moving as a fractured couple caught up in memories and the past, the real star of the film is newcomer Kodi Smit-McPhee as Raimond. He appears in almost every frame of film and manges to hold his own against the unsettling and intense performances from the more-established actors on screen. The film unfolds slowly but the performances are better for it as there are no distractions in what is surprisingly an uplifting film.
A thoughtful and moving film, “Romulus, My Father” is a true story based on the memoir of Australian philosopher Raimond Gaita. Growing up in Australia as a Romanian immigrant, the young Raimond exists in a world inbetween childhood and adulthood, caring for his depressed mother, his father, his mother’s new husband and their daughter. Sounds complicated and unusual? It is, but it’s also profoundly moving.
Romulus (Eris Bana) is the patriarch of the family a man who is unable to integrate his world in Romania with his new life in Australia. Christie (Franka Potente) is Rai’s mother: disappointed with her life as an immigrant, vacant, and struggling to hold onto her sanity. The film unfolds exactly like a child’s memory would- it’s not always linear, with fragments and bits and pieces of information missing. It is told from a child’s perspective as he experiences birth, death, separation, trauma and everything else that comes with growing up in the Australian outback.
While Bana and Potente are haunted and moving as a fractured couple caught up in memories and the past, the real star of the film is newcomer Kodi Smit-McPhee as Raimond. He appears in almost every frame of film and manges to hold his own against the unsettling and intense performances from the more-established actors on screen. The film unfolds slowly but the performances are better for it as there are no distractions in what is surprisingly an uplifting film.
Day 7: Triple Threat
Managed to cram in 3 diverse movies today: a Korean love story “M,” an Australian melodrama “Romulus, My Father,” and a good old fashioned horror flick, “The Devil’s Chair.”
Celebrity Sightings: director Lee Myung-se, Richard Roxburgh, Eric Bana, director Adam Mason, Andrew Howard
Buzz in Line: Gael Garcia Bernal is very short, Richard Roxburgh looks nothing like his character The Duke in “Moulin Rouge,” “Cassandra’s Dream” is a must-see Woody Allen in line with “Match Point.”
Celebrity Sightings: director Lee Myung-se, Richard Roxburgh, Eric Bana, director Adam Mason, Andrew Howard
Buzz in Line: Gael Garcia Bernal is very short, Richard Roxburgh looks nothing like his character The Duke in “Moulin Rouge,” “Cassandra’s Dream” is a must-see Woody Allen in line with “Match Point.”
Wednesday, September 12, 2007
Atonement
Anyone who has read Ian McEwan’s sweeping novel Atonement can tell you that the story touches nerves and evokes feelings and emotions. Putting the story on the big screen heightens those feelings through the breathtaking imagery and scenery.
“Atonement” is the story of how one young girl’s jealous mistake affects the lives of the people around her. When young Briony (played by three different actresses as she ages) interrupts a moment of passion between her elder sister Cecila (Keira Knightley) and the housekeeper’s son Robbie (James McAvoy), her imagination runs wild and paints Robbie as a “sex maniac.” When her teenage cousin is assaulted, Briony is the only “witness” as she calls out Robbie for the crime. Robbie is sent to war with Cecila, now a nurse, serves as his guiding light and reason to go on living. Will the lovers ever be able to be reuintied and will Briony be able to repair the damage she has caused to the people closest to her? The film skips years and changes perspectives between it’s three main characters: Robbie, Briony and Cecila as we follow them through the idyllic years before WWII in the English countryside, through the war in France, and wartime London to the present day.
The film is a nice blend of literal adaptation and cinematic originality. It differs from the book in parts and gives life to McEwan’s well-defined characters on screen. The beautiful English gardens stand in stark contrast to the grey and haunting French landscapes during the war. McAvoy is remarkable as Robbie as his character evolves and changes from a carefree young man to a hardened soldier fraught with his own demons. Knightley plays Cecila quite well, although she doesn’t offer any new range here. Child actress Saoirse Ronan as young Briony is good as well and bears a remarkable resemblance to Romola Garai who plays Briony at age 18 (the role is also shared briefly by Vanessa Redgrave).
“Atonement” is sure to garner Oscar nominations, if not for McAvoy then for adapted screenplay. A somewhat difficult novel to transform to film due to it’s leaps in time, non-linear narrative, and well-crafted inner dialogue of characters, and screenwriter Christopher Hampton has done the novel justice. Already nominated for a Golden Lion at the Venice Film Festival, “Atonement” is a must-see.
Keira Knightley and James McAvoy along with director Joe Wright were present for the film’s introductions. Knightley is beatuiful in person and not nearly as frail as she often appears in photos. McAvoy is quite handsome. Both are short and small people which somewhat betrays their cinematic presence. “Atonement” received a standing ovation at the film’s finish.
“Atonement” is the story of how one young girl’s jealous mistake affects the lives of the people around her. When young Briony (played by three different actresses as she ages) interrupts a moment of passion between her elder sister Cecila (Keira Knightley) and the housekeeper’s son Robbie (James McAvoy), her imagination runs wild and paints Robbie as a “sex maniac.” When her teenage cousin is assaulted, Briony is the only “witness” as she calls out Robbie for the crime. Robbie is sent to war with Cecila, now a nurse, serves as his guiding light and reason to go on living. Will the lovers ever be able to be reuintied and will Briony be able to repair the damage she has caused to the people closest to her? The film skips years and changes perspectives between it’s three main characters: Robbie, Briony and Cecila as we follow them through the idyllic years before WWII in the English countryside, through the war in France, and wartime London to the present day.
The film is a nice blend of literal adaptation and cinematic originality. It differs from the book in parts and gives life to McEwan’s well-defined characters on screen. The beautiful English gardens stand in stark contrast to the grey and haunting French landscapes during the war. McAvoy is remarkable as Robbie as his character evolves and changes from a carefree young man to a hardened soldier fraught with his own demons. Knightley plays Cecila quite well, although she doesn’t offer any new range here. Child actress Saoirse Ronan as young Briony is good as well and bears a remarkable resemblance to Romola Garai who plays Briony at age 18 (the role is also shared briefly by Vanessa Redgrave).
“Atonement” is sure to garner Oscar nominations, if not for McAvoy then for adapted screenplay. A somewhat difficult novel to transform to film due to it’s leaps in time, non-linear narrative, and well-crafted inner dialogue of characters, and screenwriter Christopher Hampton has done the novel justice. Already nominated for a Golden Lion at the Venice Film Festival, “Atonement” is a must-see.
Keira Knightley and James McAvoy along with director Joe Wright were present for the film’s introductions. Knightley is beatuiful in person and not nearly as frail as she often appears in photos. McAvoy is quite handsome. Both are short and small people which somewhat betrays their cinematic presence. “Atonement” received a standing ovation at the film’s finish.
Monday, September 10, 2007
Day 6
Day 6 and it’s time to turn this festival around.
After 2 bad films (Le Douxieme Souffle and Bill) I’m more than ready for “Atonement” which is one of the films I have been most looking forward to. Following up the British literary adaptation I have my first Midnight Madness film, “Stuck.” The Midnight Madness programme features the cutting edge, horror, gore, and all-around unusual and has featured films like “Borat” and “Hostel” in the past. Check out the Midnight Madness blog for more on what’s showing nightly (my boyfriend, Shane McNeil is a contributing reporter highlighting the Madness with pictures and videos of zombies and fans).
Celebrity Sightings: James McAvoy (I LOVE HIM), Keira Knightley, director Joe Wright, director Stuart Gordon, Mena Suvari, and a smattering of cast members from “Stuck”
Buzz in Line: Is Stephen Rea here? “Atonement” is beautiful, hearing more good buzz about “Boy A” and “Sad Vacation”
Thoughts: I wish the Elgin theatre wasn’t so cold, Midnight Madness crowds are a strange and unusual bunch
While I’m plugging other blogs, for a more in-depth, and up-to-date TIFF blog, check out my friend’s site, The Dark of the Matinee, which goes back to being a regular movie blog once the fest is over.
After 2 bad films (Le Douxieme Souffle and Bill) I’m more than ready for “Atonement” which is one of the films I have been most looking forward to. Following up the British literary adaptation I have my first Midnight Madness film, “Stuck.” The Midnight Madness programme features the cutting edge, horror, gore, and all-around unusual and has featured films like “Borat” and “Hostel” in the past. Check out the Midnight Madness blog for more on what’s showing nightly (my boyfriend, Shane McNeil is a contributing reporter highlighting the Madness with pictures and videos of zombies and fans).
Celebrity Sightings: James McAvoy (I LOVE HIM), Keira Knightley, director Joe Wright, director Stuart Gordon, Mena Suvari, and a smattering of cast members from “Stuck”
Buzz in Line: Is Stephen Rea here? “Atonement” is beautiful, hearing more good buzz about “Boy A” and “Sad Vacation”
Thoughts: I wish the Elgin theatre wasn’t so cold, Midnight Madness crowds are a strange and unusual bunch
While I’m plugging other blogs, for a more in-depth, and up-to-date TIFF blog, check out my friend’s site, The Dark of the Matinee, which goes back to being a regular movie blog once the fest is over.
Saturday, September 8, 2007
Day 3
Films seen: 3
Celebrity Sightings: Ben Affleck, Jennifer Garner, Michael Cera, JK Simmons, Allison Janney, Jason Reitman, Ivan Reitman, Monica Bellucci, Jason Bateman, Ellen Page
Buzz in line: Ben Affleck is a jerk, Jake Gyllenhaal didn’t even want to be here (also a jerk as per our run in at TIFF 05), Hot dog vendors should sell breakfast, dripping zombies are walking the red carpet for Midnight Madness
Thoughts: Rendition wasn’t worth getting out of bed for at 730am on a Saturday, bailed out an hour into “Douxieme Souffle” which was not about chefs as we had thought but about…nothing
Interesting note: As I try to move into my new apartment, conveniently located next to an independent cinema, I arrive to see a red carpet in front of my front door- with Ben Affleck and Matt Damon standing in my way.
Celebrity Sightings: Ben Affleck, Jennifer Garner, Michael Cera, JK Simmons, Allison Janney, Jason Reitman, Ivan Reitman, Monica Bellucci, Jason Bateman, Ellen Page
Buzz in line: Ben Affleck is a jerk, Jake Gyllenhaal didn’t even want to be here (also a jerk as per our run in at TIFF 05), Hot dog vendors should sell breakfast, dripping zombies are walking the red carpet for Midnight Madness
Thoughts: Rendition wasn’t worth getting out of bed for at 730am on a Saturday, bailed out an hour into “Douxieme Souffle” which was not about chefs as we had thought but about…nothing
Interesting note: As I try to move into my new apartment, conveniently located next to an independent cinema, I arrive to see a red carpet in front of my front door- with Ben Affleck and Matt Damon standing in my way.
Juno
“Juno” may be the best premiere screening of a film I have ever seen at TIFF.
Not only is the film touching and truly funny, the entire emsemble cast attended the screening and stayed for a Q&A.
“Juno” is an original story of a teenager’s accidental pregnancy. Breaking with more traditional looks at teen pregnancy, “Juno” flips stereotypes on their head: there are no illusions about teen mothers and the parents are supportive and positive.
When 16 year old Juno (Ellen Page) finds out she is having best friend Paulie’s (Michael Cera) baby, she sets out to find the perfect adoptive parents for her unborn child. With the support of her off-the-wall but loving Dad and Step Mom (hilariously played by JK Simmons and Allison Janney) Juno finds picture-perfect couple Mark and Vanessa (Jason Bateman and Jennifer Garner) to share in the birth process of their future child. Mark and Vanessa aren’t as perfect as they seem, and Juno finds herself creating a special bond with Mark.
Quirky and off-beat as the best ways to describe “Juno.” relative newcomer Ellen Page handles the realistic teen dialogue with ease and humour. Michael Cera is once again brilliant, and it seems can do no wrong these days with the success of “Superbad” and “Arrested Development.” Jason Bateman is brilliant, much like his “Arrested Development” co-star and it’s great to see such a fine comic actor back in the spotlight. Supporting players JK Simmons and Allison Janney offer up many laughs as the crazy but loveable parents. Jennifer Garner is the weakest spot in the emsemble, but by no means detracts from the overall film as she gives a decent performance but seems to be a little out-shined by her castmates as the yuppie, eager mom-to-be Vanessa.
As director Jason Reitman’s second feature (after “Thank You for Smoking̶ “Juno” cements Reitman’s brand of black comedy and offbeat humour. It’s definitely a film to watch for audiences of all ages, from teen to adult.
After the screening in which the entire cast was present, there was an organized Q&A. Michael Cera stood next to me at the beginning of the screening and I had to restrain myself from reaching over and hugging him because he’s just so likeable. When Jason Bateman walked by and posed for photos, I could only manage a “Hi Jason” as he talked to me and the people next to me. Ben Affleck accompanied Jennifer Garner to the screening, although seemed bored throughout the screening and Q&A, slumped in his seat, chewing gum- further cemeting my negative impression of him after I saw him barely glance at his fans outside another screening, not stopping to pose for pictures or sign autographs. Comparably, at the same screening, Matt Damon went out of his way to make sure everyone got a picture and autograph, and took the time to shake hands with his fans. Affleck could learn a thing or two, especially in the manners department as he was also quite rude exiting the theatre after the Q&A. But I digress…
The Q&A was often hilarious, courtesy of Jason Bateman. Audience members posed questions about everything from the unique film soundtrack to comaprisons between this film and “Thank You For Smoking.” An audience member shouted, “Hey Michael Cera, did you ride the GO train from Brampton to be here?” to the Ontario native. Jason Bateman was quick to respond with, “no, but his parents did.”
An all-around great film, made even better by an enthusiastic audience. A definite must-see.
Not only is the film touching and truly funny, the entire emsemble cast attended the screening and stayed for a Q&A.
“Juno” is an original story of a teenager’s accidental pregnancy. Breaking with more traditional looks at teen pregnancy, “Juno” flips stereotypes on their head: there are no illusions about teen mothers and the parents are supportive and positive.
When 16 year old Juno (Ellen Page) finds out she is having best friend Paulie’s (Michael Cera) baby, she sets out to find the perfect adoptive parents for her unborn child. With the support of her off-the-wall but loving Dad and Step Mom (hilariously played by JK Simmons and Allison Janney) Juno finds picture-perfect couple Mark and Vanessa (Jason Bateman and Jennifer Garner) to share in the birth process of their future child. Mark and Vanessa aren’t as perfect as they seem, and Juno finds herself creating a special bond with Mark.
Quirky and off-beat as the best ways to describe “Juno.” relative newcomer Ellen Page handles the realistic teen dialogue with ease and humour. Michael Cera is once again brilliant, and it seems can do no wrong these days with the success of “Superbad” and “Arrested Development.” Jason Bateman is brilliant, much like his “Arrested Development” co-star and it’s great to see such a fine comic actor back in the spotlight. Supporting players JK Simmons and Allison Janney offer up many laughs as the crazy but loveable parents. Jennifer Garner is the weakest spot in the emsemble, but by no means detracts from the overall film as she gives a decent performance but seems to be a little out-shined by her castmates as the yuppie, eager mom-to-be Vanessa.
As director Jason Reitman’s second feature (after “Thank You for Smoking̶ “Juno” cements Reitman’s brand of black comedy and offbeat humour. It’s definitely a film to watch for audiences of all ages, from teen to adult.
After the screening in which the entire cast was present, there was an organized Q&A. Michael Cera stood next to me at the beginning of the screening and I had to restrain myself from reaching over and hugging him because he’s just so likeable. When Jason Bateman walked by and posed for photos, I could only manage a “Hi Jason” as he talked to me and the people next to me. Ben Affleck accompanied Jennifer Garner to the screening, although seemed bored throughout the screening and Q&A, slumped in his seat, chewing gum- further cemeting my negative impression of him after I saw him barely glance at his fans outside another screening, not stopping to pose for pictures or sign autographs. Comparably, at the same screening, Matt Damon went out of his way to make sure everyone got a picture and autograph, and took the time to shake hands with his fans. Affleck could learn a thing or two, especially in the manners department as he was also quite rude exiting the theatre after the Q&A. But I digress…
The Q&A was often hilarious, courtesy of Jason Bateman. Audience members posed questions about everything from the unique film soundtrack to comaprisons between this film and “Thank You For Smoking.” An audience member shouted, “Hey Michael Cera, did you ride the GO train from Brampton to be here?” to the Ontario native. Jason Bateman was quick to respond with, “no, but his parents did.”
An all-around great film, made even better by an enthusiastic audience. A definite must-see.
Friday, September 7, 2007
Day 2
Day 2
Celebrity Sightings: Helen Hunt, Anton Corbijn, Sam Riley
Buzz in Line: everyone loves Joy Division (the band) and ‘Joy Division’ the documentary, ‘Boy A’ seems promising, Helen Hunt is very thin and her boyfriend (?) is good looking
Thoughts: As much as I love the Q&A oppourtunities, some questions people ask make you cringe with embarassment
Celebrity Sightings: Helen Hunt, Anton Corbijn, Sam Riley
Buzz in Line: everyone loves Joy Division (the band) and ‘Joy Division’ the documentary, ‘Boy A’ seems promising, Helen Hunt is very thin and her boyfriend (?) is good looking
Thoughts: As much as I love the Q&A oppourtunities, some questions people ask make you cringe with embarassment
Day 1
Celebrity sightings: Jodie Foster, Neil Jordan
Buzz in Line: wear a TIFF button handed out in the info pack and win a free web cam...less than 5 minutes in line and I already had a web cam in my hands; the general excitement of what it is to be at TIFF
Thoughts: great crowds so far, and lots of friendly people as usual!
Buzz in Line: wear a TIFF button handed out in the info pack and win a free web cam...less than 5 minutes in line and I already had a web cam in my hands; the general excitement of what it is to be at TIFF
Thoughts: great crowds so far, and lots of friendly people as usual!
Subscribe to:
Posts (Atom)